Posted 07 March 2007 - 09:33 PM
Great question, and what a lot of great answers!
My family was very tense, and we all read a great deal as a way of avoiding each other and getting into a world that felt more congenial. Mama, Daddy, my two brothers and I all read a couple of books a week, maybe three or four -- mostly romances -- from the time i was 10 till I graduated from high school. We'd come back from hte library with a stack of books 3 or 4 feet high. Daddy read history. Dick read "Desiree" at least 20 times, and I read it 3 0r 4. I read lots of sea-faring stories; Dick read baseball stories.
Daddy read heavy books. He read the Imitation of Christ on an on-going basis, wore the back off it, and the Meditations of Marcus Aurelius. But what he really liked was Immanuel Velikovsky -- Worlds in Collision, Ages in Chaos. I read them too, and had never seen so many footnotes. Turned out that Velikovsky was laboring in the cause of the truth, and his theories about cataclysmic changes were validated when Alvarez proved that an asteroid struck the earth, death of the dinosaurs, and all that.
My favorite book as a child was "Myths Every Child Should Know," a Doubleday Junior de luxe Club book (with full-page drawings) that was essentially Hawthorne's Just-so stories -- Medusa and the snaky Locks, Bellerophon who rode the flying horse; there were plenty others, but I was crazy about Medusa, and colored her locks green and purple. And Pegasus I colored black. The sky was "cerulean" out of the big Crayola box. LOVE that color.
I'm not sure how old I was when Miss Gretchen suggested "The Lion, the Witch, and the Wardrobe," but I DO remember feeling like the top of my head was coming off, like I was about to understand something way beyond the scope of things I'd thought about before, and that was the first time, though not the last, that I felt that.
My first real taste for the GOOD stuff was not a matter of books -- it was hearing Beethoven on a phonograph record, Artur Rubenstein's OLD recording -- on 2 12-inch 78s -- of the Pathetique sonata. Reading, I was still reading "Captain Marooner" and stuff, by the bushel, mind you. Well, I did read "Wuthering Heights" -- one page a day was all I could take, it was so frightening.
Of course I read stuff for school. Davy Crockett, Daniel Boone, Jim Bowie, there was a whole series of them, and the Bowies came from my home town, so I was proud of them. (Rezin Bowie is buried in the Catholic cemetery there, and they used their money to have a WONDERFUL reproduction of a Rubens crucifixion put over the altar in our pretty old church; it was painted by a German who went up and down the river by steamboat, decorating rich folks' places. That painting was a huge influence on my life, for it was beautiful and moving and full of virtue -- not a scary, gnarly, ugly crucifixion, but a sacrifice that was full of love and beauty, and big as a movie-screen almost. Jesus was giving up the ghost, and it was awesome: simultaneously peaceful and terrifying, lonely and totally supported, muscular and sensitive and full of majesty.
Beethoven was like that, too. I got a piano and learned to read Beethoven. The great thing about the piano is it lets you read music for yourself. George Bernard Shaw said that, and it's true. I also read a lot of Chopin, mazurkas and preludes; there's a fair amount that's real music and not too difficult -- not to perform, necessarily but just so you could read it for yourself. Bach also. There's nothing like reading it for yourself. Even Schnabel doesn't reveal so much as the page itself does.
The great thing about reading in school was poetry. My old-fashioned teachers, especially miss Person, who had ALL the kids from 9th grade on (it was a small school) believed in memory-work, and from 7th grade on, probably, we had to memorize a poem a week and recite it on Friday. "Stars," by Sarah Teasdale. And "Trees," of course. But by 9th grade, also some great poems, Wordsworth, especially, Byron, Shelley, Coleridge, Blake. I memorized "Ozymandias" for my own satisfaction, just because I thought it was so beautiful, and I hated tyranny and so did Shelley and that poem makes you stop being afraid, and "Let me not to the marriage of true minds Admit impediments,' and "The Tyger."
We had to ALL memorize the end of "Kublai Khan,' for which I'll be eternally grateful ("A damsel with a dulcimer in a vision once I saw; it was an Abyssinian maid, and on her dulcimer she played, singing of Mount Abora. Could I revive within me, her symphony and song, to such a deep delight 'twould win me, that with music loud and long I'd build that dome of air, that sunny dome, those caves of ice! And all around should see me there, and all should cry,'Beware, beware! Weave a circle round him thrice nad close your eyes with holy dread, for he on honey-dew hath fed, and drunk he milk of Paradies.'" o my God, what a great poem!)
And lots of the Ancient Mariner, and The Solitary Reaper and the Daffodils, and the Lucy poems and a chunk of the Intimations Ode ("The rainbow comes and goes and lovely is the rose. The moon doth with delight look round her when the heavens are bare, waters on a starry night are beautiful and fair, and yet I know, where e'er I go, that there as passed away a glory from the earth.")
Miss Person herself took courage from poems like these, and when push came to shove -- i.e., when the civil rights movement arrived -- she was on the right side and stood by the humane feelings and virtues embodied in these poems, stood up to threats of all kinds, and counter-attacked ("XYZ, I am ASHAMED of you") and prevented the formation of a segregation academy as long as she lived.
Her other bastion was Shakespeare -- "Friends, Romans, countrymen," and "Tomorrow and tomorrow and tomorrow" belonged there too – they were all about the emptiness of a life lived badly, and embodied the feelings you'd have, and those you cared about would have FOR you, if you muffed your chance in life or saw your duty and did not do it.
Poets really ARE “the unacknowledged legislators of the race.”