Benesh 101 - The Basics
Started by
grace
, Apr 12 2003 04:58 AM
61 replies to this topic
#46
Posted 06 May 2003 - 04:59 AM
Yes, that's what I liked about the site, the diffrent pictures, diagrams and animations!
#47
Posted 06 May 2003 - 05:58 AM
I have a question for you, Grace. (yes, I'm one of those viewers looking on ;))
Ok, I understand everything you've told us so far, I think, but how do you know what step they are doing in the Benesh notations? Do you have to memorize all the different kinds of steps/movement lines? Or is there some rule that lets you read it kind of like music? I don't think I'm asking this very well. :rolleyes: But I have been enjoying this thread, and I watched that dancer dance with her movement lines several times because it was so cool!
Ok, I understand everything you've told us so far, I think, but how do you know what step they are doing in the Benesh notations? Do you have to memorize all the different kinds of steps/movement lines? Or is there some rule that lets you read it kind of like music? I don't think I'm asking this very well. :rolleyes: But I have been enjoying this thread, and I watched that dancer dance with her movement lines several times because it was so cool!
#48
Posted 08 May 2003 - 03:14 AM
blackbird: thanks for your question.
all these various symbols that you are learning about provide a language in which to write the steps.
so, (theoretically at least) anyone who learns how all the symbols are used, should be able to read any step that is written with them.
however, in practice, the particular combinations of positions (and therefore symbols) that make up, say, a pas de chat, a pas de bourree or a waltz, become SO familiar that a practised notator will recognise such common steps, without having to read every symbol - just the way most of us read english now, without actually sounding out the spelling.
make sense?
all these various symbols that you are learning about provide a language in which to write the steps.
so, (theoretically at least) anyone who learns how all the symbols are used, should be able to read any step that is written with them.
however, in practice, the particular combinations of positions (and therefore symbols) that make up, say, a pas de chat, a pas de bourree or a waltz, become SO familiar that a practised notator will recognise such common steps, without having to read every symbol - just the way most of us read english now, without actually sounding out the spelling.
make sense?



