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sohalia

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    fan
  • City**
    Miami
  • State (US only)**, Country (Outside US only)**
    Florida

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  1. Thank you, I had missed that. Too tight on my schedule and, as many others have said, the program really is disappointing. Even if I could have made it work, I don't think I'd have spent money to travel to London for these ballets. I'd rather fly to NYC at this point!
  2. I moved back to Europe a few years ago and haven't been able to go to the NYCB in so long, but have kept following these conversations with great interest. Hearing you all rave about Mira Nadon is having me *this close* to booking a flight to NYC 😄 Gosh how I wish I lived closer. All I get are excerpts on social media, which are great, but with all your reviews, I want more! NYCB, please tour in Europe (and take Mira with you)!
  3. I am absolutely thrilled for Furlan! He was my favorite male dancer at Miami City Ballet, so I am ecstatic to see him "make it" all the way to the top at NYCB. So well-deserved. I love his dancing and passion for the art. I have to admit I haven't seen much of the other promoted men, but I am sure it's deserved as well.
  4. I love promotions! Not surprise at all by all of these, well deserved. This is a big group, so I am curious as to who might be leaving like somebody said above. I'm also still hoping for a Furlan promotion soon...
  5. Hopefully with all the upcoming retirements, we will see more promotions in the next few weeks or months. I agree that only two was disappointing, but I want to be hopeful. For me, the next big promotions up to principal should be Woodward and Furlan. Ball should be on that list... But maybe they will want a tall man like Walker after the departure of La Cour.
  6. I am so happy to read that Mejia was also promoted! Well deserved, and he's such a joy to watch inn Western Symphony. What fantastic news. Phelan is the first female promotion to principal since Lovette, right? June 2015...
  7. Joel Prouty, a physical trainer who's been working with numerous ballet dancers including Sara Mearns and Unity Phelan, posted on his public Instagram in a Story that Unity Phelan had been promoted to principal! Did it happen after last night's performance? I am surprised nobody mentioned it. It must have happened behind the scenes. I am so thrilled for her, and it was a long time coming. I started following him when he was mostly working with Mearns, and so many more dancers have started to go to in now. I love watching what kind of exercises he makes them do, and also for my own inspiration.
  8. Are you thinking of Heatscape, perhaps? That was great.
  9. Living vicariously through everybody's reviews. I wish I lived closer to NYC so I could go to as many representations as possible. Echoing what was said before, I cannot wait for some promotions. With the flurry of retirements, we certainly should get a handful soon. I've followed Phelan's career ever since her Corps days, and cannot wait for her to move on up. Same for Furlan, who I absolutely loved watching when I lived in Miami and could go to MCB shows. I love to read that he seems to be thriving at NYCB now.
  10. I sadly missed Prodigal Son, and I made it a priority to take time to watch T&V. I've reached the conclusion that Tiler Peck can never retire. Her musicality, her speed, yet her ability to make it seem like she's taking her time... She's truly one of the best. I appreciated the close-up shots during the partnering of the PDD. I was fascinated to watch how sometimes Peck literally just hangs on to Veyette by one finger. That was lovely. I miss live performances.
  11. Silas Farley comes to mind. He wasn’t a principal but certainly had the potential to be. I loved his dancing. Anyways, I think all of us who watched Fairchild’s interview with Lovette could see this coming from a mile away. I am not surprised at all she’s leaving now/so soon. Of course, it’s sad to see so many retirements and departures, but I am so excited for promotions (finally!) and some shakeups in future casting.
  12. I am quite excited to see what Silas Farley can bring as a choreographer. Loved him as a dancer, and he's wonderful to listen to as the podcast host. Agreed with the above comments on some of the programming and the website redesign. Although now that they've changed the website, can we please update some of the dancers headshots? Bouder's and Gerrity's in particular are killing me and have been there for years. They deserve better.
  13. I have to agree on your point. I've listened to a handful of these interviews and it's probably my only pet peeve. She has done that to every one I've listened to. She cuts them off and inserts herself in the conversation, or asks something else while the guest is clearly not finished with his/her story. So sure, it's "free rein" as she calls it and these are very informal interviews, which I appreciate, but it would be nice to let them finish. As a journalist, I know how hard it can be to let silence "be" in interviews. It's easy to want to fill the silence and to always talk or ask another question straight away, but usually leaving some silence or pauses always leads to the interviewee continuing on his/her thought process (because they too want to fill that silence!). And in my experience, that's when you get the best out of your interviewees, and it's always led to some fantastic quotes and content. Anyways, back on topic, I was actually listening to Lauren's interview last night as well. I am about halfway through, but found her comments and questioning very interesting. It does sound she is not sure she'll return to ballet quite yet. Whatever she does decide, it sounds like this break was what she needed to not tank.
  14. Live now (18h30 CET) on this page, free: https://staatstheater-hannover.de/ World Premiere of "Moonlight" by Juliano Nunes. He said it should be available to watch after streaming, in case you missed it. I look forward to it. First of all, a live stream of a ballet? Yes, please. This is the future. I also very much like Nunes' style, at least from short videos I've seen and what he posts on social media. New COVID-oriented choreography, too, probably no partnering or much contact between dancers.
  15. I agree. New Song has been my favorite of the new works so far. I was pulled in right away by the historical music and cinematography, and of course I'm a big fan of Unity Phelan and Indiana Woodward. The one-take was amazing and really immersive and transcending. The segment in the water at the end was beautiful, and the entire atmosphere was so dreamy. I've watched it multiple times already.
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