I remember that in the ballroom scene the coda used the old music, which I prefer. The prince did not just commit suicide - he was driven into the lake by the enchanted half-swans. I thought this was very well done. The lakeside set by Desmond Heeley was beautiful. The transition from the first scene to the lakeside scene was fascinating. Toward the end of this transition a projection of swans appeared, flying in from stage right to be obscured by a tree, and continuing in the same direction were side-lit dancers of the corps de ballet transformed into half-humans upon 'landing', exiting stage left behind the scrim. I never saw this in any other production.