maps

Senior Member
  • Content count

    128
  • Joined

  • Last visited

About maps

  • Rank
    Senior Member

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    .
  • City**
    USA
  • State (US only)**, Country (Outside US only)**
    USA
  1. Companies also should sell tickets. The Ballet Dance Across America at the KC was undersold and a fill in was a Peck piece. Tickets also became cheap. A few years ago at the KC NYCB did 2 programs: 1. Serenade, Agon, Symphony in C; 2. Symphonic Dances, Pictures at an Exhibition, This Bitter Earth, Everywhere We Go. Splitting the Balanchine on this Kennedy Center 2017 trip should improve sales.
  2. I've also noticed the shift in programming. I was considering going Monday to see the Abrerra-Gomes but ... I also enjoyed getting early access to the very limited Open Rehearsal tickets-now all have to wait for the sale to the general public. 2013-2014 was a very good year http://www.kennedy-center.org/programs/newseason/PressRelease.pdf Is it really the same theatre? Bolshoi Ballet - Giselle [ the last G I 've seen had a super cast of Zharkarova, Hallberg, Tsvirko, Allash]; Mariinsky Ballet Swan Lake; ABT mixed bill After Effect, The Dream, Don Quixote; NYCB Jewels and mixed bill; Boston Ballet; Pennsylvania Ballet with Balanchine’s A Midsummer Night’s Dream; Joffrey Nutcracker; Suzanne Farrell Chaconne and Mozartiana.
  3. My favorites were ABT's Baryshnikov [ Wolf Trap with Tcherkassky], Shlyarov [dress rehearsal with Shapran], and ABT's Cornejo video. Note the variation in costumes from ABT to Mariinsky etc. Having seen the same dancer go full out with and without the Mariinsky costume - headdress and more body suit floral appliques- the ABT costume and the lack of the headdress are my favorites for capturing the essence of the poem. Baryshnikov with ABT : These 3 are not androgynous in the role but to me exemplify the poem. There's a video of Baryshnikov with Fonteyn and again he doesn't come off as androgynous. That Mariinsky run I also saw Kim and Latypov . Kim was androgynous.
  4. Thanks for posting the ticket discount. It's not the political or economic climate in DC but the programming. There are plenty of locals to fill the opera house plus you see random tourists in spring and summer.
  5. I came upon nice interviews with C Stearns and D Teuscher. They appeared at a Ballet festival in Russia. https://ellekazakhstan.com/devon-tushe-o-svoej-professii-lyubimyh-obrazah-i-uvlecheniyah/ https://ellekazakhstan.com/kori-sternz-o-moguchej-sile-iskusstva/
  6. NEA

    NEA has an OIG-Office of Inspector General and some reports online with partial audit info. Project grants with links to categories and jurisdictions: .
  7. I noticed some dresses that looked like 1970's or 1980's bridesmaid/prom gowns that I didn't like then or now.. Ruth Negga at a Christmas season wedding where the BM's are really ticked at the selection. Then there were some dresses where the cut and volume of fabric actually added poundage by the dozens depending on the height.
  8. NEA

    There have been comments on at least one thread about the NEA and I was surprised at the low amount of money granted by the NEA for major companies, productions, and schools. Have there been changes in NEA grant limits? Policies? On the link I posted to Ballet Theatre Foundation [ABT] some FYs had as much as 1.25m. https://apps.nea.gov/GAAG/frmStart.aspx ABT requested reimbursement of 900k leaving 350k. Grant Number: 85-4621-0006 General Information Grantee: Ballet Theatre Foundation, Inc. Grant Period: 09/01/1985 - 08/31/1988 Grant Amount: $1,250,000
  9. NEA

    I researched the NEA grants by category -FY 2017 approved in 2016 total $51,515,500 [not equal to 60% of 2016 budget shown on the 2015 fact sheet]. Total NEA budget was about 146m. These are grants for projects and only represent a portion of NEA funding which includes grants to states. This fact sheet explains the NEA and use of appropriations:https://www.arts.gov/sites/default/files/nea-quick-facts.pdf The fact sheet is for FY2015.
  10. Should there be a separate topic for NEA?
  11. The article can be read at http://news.nationalpost.com/arts/out-of-jail-dancer-linked-to-acid-attack-on-bolshoi-artistic-director-wants-back-on-its-stage-im-ready
  12. Washington Post article quoting Misty Copeland on Under Armour CEO Kevin Plank: https://www.washingtonpost.com/news/early-lead/wp/2017/02/09/misty-copeland-offers-a-blistering-take-on-under-armour-ceos-support-for-trump/?hpid=hp_regional-hp-cards_rhp-card-sports%3Ahomepage%2Fcard&utm_term=.96d164bc816f#comments
  13. In the past week I've seen multiple dancers capable of executing 25+ fouettes, in character before/during/after, filling the music, etc. The Kennedy Center is selling a LHBH DVD Plisetskaya and a preview includes her fouettes.
  14. I love the choreography and the performances were brilliant. Some costumes...The minimalist sets and lack of background action leave the Tsar Maiden exposed in a challenging role with a lack of visual distraction [ continuous Balanchinesque movement]. Vaganova epaulment adds another dimension to performances for me. OR-Zyuzin, Kolegeva, Zverev, Tkachenko and Tues/Thurs shows. A Kultur DVD of Plisetskaya/Vasiliev LHBH is for sale in the lobby-online it's a grand production including 31 fouettes /32nd a double or triple. Ratmansky LHBH is a happy production of a favorite childhood fairy tale. Each show had applause throughout and bravos with standing ovations. Some cheers when Ivan pops out of the tank. Awakes the inner child. A review http://freebeacon.com/culture/romp-kennedy-center/ includes excerpts of the Seussian quality to the program libretto as well as descriptors of choreography. The Cat in the Hat echoes in the swarmy Gentleman of the Bedchamber. I wish the Mariinsky's next Kennedy Center visit would be Bronze Horseman, the new Pacquita, Sleeping Beauty, or Balanchine's Midsummers Nights Dream. Fatayev on the Kennedy Center productions: https://sputniknews.com/art_living/201702011050221919-mariinsky-ballet-washington/