Aesthetic Issues
Choreography, provocative opinions, other artistic matters.
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Abstraction vs. Representation: is this still an issue?Started by Alexandra , 21 May 2001 |
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What accounts for changes in style?Started by Alexandra , 03 Jul 2005 |
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Can an institution be creative?Started by Alexandra , 07 May 2002 |
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Rachel Howard on How to Approach DanceStarted by Helene , 18 Apr 2005 |
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Can classical ballet be American?Started by Alexandra , 21 May 2001 |
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Eliot Feld - "What happened?"Started by Alexandra , 24 Apr 2002 |
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NationalityStarted by BalletNut , 22 May 2001 |
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StepsStarted by liebs , 17 Mar 2002 |
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Fokine balletsStarted by cargill , 06 Nov 1998 |
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The Myth of Genius?Started by Alexandra , 05 Jan 2002 |
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Another take on the keeping works alive issueStarted by Alexandra , 16 Feb 2003 |
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"Classical" and "academic"Started by Miho Kakinuma , 28 Apr 2001 |
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Elitism? A case study in ScotlandStarted by Alexandra , 26 Sep 2001 |
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Heaven on Earth?Started by Leigh Witchel , 20 Dec 2001 |
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Teachout on initial reaction to a masterpieceStarted by kfw , 08 Aug 2003 |
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Somebody Else's Dancers?Started by Mme. Hermine , 08 Mar 2002 |
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What, if anything, is Western about classical ballet?Started by Alexandra , 22 Dec 2001 |
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Making MistakesStarted by Alexandra , 31 Aug 2001 |
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Missing Balanchine and RobbinsStarted by Dale , 08 Nov 1998 |
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Value of Dance to SocietyStarted by lil lindsay , 14 May 2003 |
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Choreography as Couture?Started by Leigh Witchel , 25 Mar 2002 |
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What is "Provocative"?Started by Alexandra , 03 Oct 2001 |
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Dramatic intelligence and castingStarted by Ballet fan , 30 Jul 2011 |
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Christopher WheeldonStarted by Alexandra , 12 May 2002 |
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Scenery and Lighting Design and effects,A comparison of lighting Effects Started by Nanarina , 23 Oct 2008 |
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