Aesthetic Issues
Choreography, provocative opinions, other artistic matters.
Company Signature PiecesStarted by Calliope , 08 Mar 2002 |
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The Ballerina is Dead, Long Live the Danseur?Started by Leigh Witchel , 13 Feb 2002 |
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Repertory Choreographers and Single-Style ChoreographersStarted by Leigh Witchel , 28 Dec 2002 |
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The so-called "Modern Art" lobbyStarted by katharine kanter , 17 Jan 2003 |
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Legato 101what is legato as a form of movement? Started by perky , 24 Feb 2004 |
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Naughty and Nice?Started by Leigh Witchel , 29 Nov 2002 |
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Revisions, New Versions?Started by Leigh Witchel , 22 Mar 2002 |
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If you could only keep...Started by Mme. Hermine , 16 Jan 2002 |
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Ekaterina N. GeidenreikhStarted by Mashinka , 03 Aug 2001 |
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dancers who trancend bad materialStarted by Ed Waffle , 26 Nov 1998 |
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division of authority - diminishing a director's discretionStarted by Mme. Hermine , 22 Mar 2001 |
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Should kinesthetic "ouch factor" be considered in choreographyStarted by polyphonyfan , 01 Aug 2012 |
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The importance of "substandard" balletStarted by Ed Waffle , 09 Feb 1999 |
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Style?Started by Alexandra , 26 Dec 2000 |
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down-scaling ApolloStarted by kfw , 31 Oct 2002 |
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Stanton WelchStarted by Guest_Fred C._* , 26 Jul 2002 |
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MisalignmentStarted by katharine kanter , 20 Mar 2002 |
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Choreographing in Balanchine's ShadowStarted by Alexandra , 05 Mar 2002 |
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InternationalizationStarted by Alexandra , 13 Jun 2001 |
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Balletic RepresentationsStarted by Guest_Sassybeaver_* , 08 Dec 2002 |
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The Top Ballet Countries?Started by ~A.C~ , 03 Sep 2001 |
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Vulgarity and decorum?Started by Leigh Witchel , 08 Feb 2002 |
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Ashton balletsStarted by Alexandra , 06 Nov 1998 |
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The Diamond Project- Wheeldon's commentsStarted by Calliope , 13 Jun 2002 |
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Why does ABT function like this?Started by Terry , 10 Feb 2001 |
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