Aesthetic Issues
Choreography, provocative opinions, other artistic matters.
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Non-human ChoreographyStarted by Marcmomus , 09 Aug 2012 |
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Can classical ballet be American?Started by Alexandra , 21 May 2001 |
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NationalityStarted by BalletNut , 22 May 2001 |
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Where were you sitting ?!*?$Started by Alexandra , 12 Jun 2001 |
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Tempo and Ballet ConductingStarted by AmandaNYC , 05 Jun 2001 |
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What if all that survived was...Started by Mme. Hermine , 16 Jan 2002 |
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Suspension of beliefStarted by Alexandra , 01 Feb 2002 |
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Problematic Classic?Started by Mme. Hermine , 19 Feb 2002 |
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Differences between Opera and Ballet reviewsStarted by Alexandra , 14 Oct 2001 |
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The Diamond Project- Wheeldon's commentsStarted by Calliope , 13 Jun 2002 |
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Heritage IssuesStarted by BalletNut , 20 Sep 2002 |
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What artistic directors doStarted by Alexandra , 10 Sep 2004 |
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The entrance of the Shades? How fast? How slow?Started by bart , 28 Aug 2007 |
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Christopher Wheeldon in MoscowAnd the Bolshoi Tradition (from NY Times Started by leonid , 11 Feb 2007 |
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Should kinesthetic "ouch factor" be considered in choreographyStarted by polyphonyfan , 01 Aug 2012 |
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Provincial Style, International Style (ABT, National Ballets of Cuba aStarted by Leigh Witchel , 13 Nov 2001 |
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"Bringing Ballet to Everyman"Started by BW , 16 Mar 2002 |
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Heavy schedules and maintaining the choreographer's workStarted by Guest_Barb_* , 19 Mar 1999 |
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The importance of "substandard" balletStarted by Ed Waffle , 09 Feb 1999 |
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New dancers in a created roleStarted by Alexandra , 11 Nov 2001 |
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"Classical" and "academic"Started by Miho Kakinuma , 28 Apr 2001 |
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Abstraction vs. Representation: is this still an issue?Started by Alexandra , 21 May 2001 |
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The Myth of Genius?Started by Alexandra , 05 Jan 2002 |
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"Dancing the Role Tonight will be..."Started by Alexandra , 15 Oct 2001 |
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Turned-in kneesStarted by Paul Parish , 17 Mar 2002 |
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