Aesthetic Issues
Choreography, provocative opinions, other artistic matters.
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Body Symmetry and Dance AbilityStarted by drb , 28 Dec 2005 |
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"Ballets Russes" and dancers of the pastStarted by dirac , 31 Oct 2005 |
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The Clap (in Raymonda)Started by Alexandra , 26 Nov 2003 |
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"Seeing' dance: how does dance training changethe way you look at performance? Started by bart , 07 Nov 2005 |
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Is Balanchine losing fans at NYCB?If so, why? Started by kfw , 04 Oct 2005 |
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Costumes: the good, the bad, and the uglyStarted by dirac , 12 Apr 2005 |
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Acting and dancingStarted by dirac , 18 Jan 2001 |
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Beautiful death.Started by Dr. Coppelius , 02 Aug 2005 |
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Are Petipa's Ballets Bad Bombast or Great Art?a 21st century rethink Started by julip , 26 Jul 2005 |
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Hypermobility in BalletStarted by Hans , 13 Jul 2005 |
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Musicality -- which dancers have the best?Started by bart , 10 Jul 2005 |
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American Ballet Theatre's "Giselle"John Rockwell's review Started by dirac , 14 Jul 2005 |
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Fusion or Mishmash?Started by kfw , 12 Jul 2005 |
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ABT's "Swan Lake" -- traditional version?Started by Alexandra , 02 Jul 2005 |
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What accounts for changes in style?Started by Alexandra , 03 Jul 2005 |
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"Modern Mannerism"?Johnson: Eifman; Forsythe, Dove, Streb Started by Amy Reusch , 26 May 2005 |
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When It's Either Prowess or ArtistryStarted by kfw , 24 Jun 2005 |
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Russian ballet arrogance--does it exist in the US?If so, is it at its saturation point? Started by Marga , 26 May 2005 |
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How do you perceive middlebrow?and high brow, low brow and no brow Started by Alexandra , 17 Jun 2005 |
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Is It Still a Masterpiece . . .. . . if the dancers don't show it? Started by carbro , 06 Jun 2005 |
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Balanchine and emploiStarted by perky , 13 May 2005 |
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Balanchine: Casting, Choreography, EmployStarted by Leigh Witchel , 19 Mar 2001 |
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Rachel Howard on How to Approach DanceStarted by Helene , 18 Apr 2005 |
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The Dracula phenomenon/ any comments?Started by bart , 22 Feb 2005 |
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“Why all the fuss about Balanchine?”Balanchine's legacy Started by Balletaime , 28 Mar 2005 |
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